“By trying to make the female nude a part of our visual language, I am attempting to dispel the myth of sexualisation in nudity and make it something which can be viewed with respect and admiration rather than covetousness, shame or discomfort.” Scheherezade Junejo in conversation with TMS editor Shameen Arshad.
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“The presence of an audience is nice, the vindication of recognition and even the money you get for hard work is nice too, but it can’t beat the satisfaction of creating something. The final piece on display for all to view has an existence like no other.”
Shameen Arshad interviews Faraz Aamer Khan.
“Society also plays a role by responding to an artist’s work, and their reaction — whether positive or negative, influences the artists’ decision to make more of such work or not.” Shameen Arshad interviews Shanzay Subzwari.
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“The responsibility of the artist definitely increases when creating public art. It puts upon them the burden of decency and simplicity.” Shameen Arshad interviews Atif Khan.
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“Her practice is about exploring herself, and she uses numerous tools to weave her narratives.” Shameen Arshad interviews artist Alia Bilgrami.
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Our Meet the Editors series concludes with the art section. Varda Nisar knows the image speaks louder than the words, and Shameen Arshad gazes…
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“Most of my work thus appears to be a monologue situated in an apparent state of silence that is both comforting and threatening.” Shameen Arshad talks to Madyha Leghari about reflection, contradiction and art school.
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“Acceptance is now being practiced beyond the student circle, [it]…has now been extended to another group — the transgender.” Shameen Arshad looks at an innovative program from an art school for transgender people in Lahore.
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“The uncertainty that comes with willingly choosing a non-linear and unconventional career path requires that you take responsibility for your passion.” Shameen Arshad interviews spotlight artist Nayha Jehangir Khan.
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“Aijazuddin plays around with the composition and placement of these designs, manipulating them to make them more relevant today.” Shameen Arshad reviews Komail Aijazuddin’s latest work showcased in Islamabad.
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