ISSUE 12 CONTENTS
Itâ€™s interesting the sort of stuff that gets your creative mind going â€” a previous incarnation ofÂ this letter had me writing it in Calibri (11 pt), but now that Iâ€™m using Georgia, everything looks different. Almost as though Iâ€™m in an entirely newÂ place. Interesting, isnâ€™t it? Perhaps it shouldnâ€™t be as interesting as Iâ€™m making it out to be, givenÂ an editorâ€™s preoccupation with words and the aesthetics that bind them.
What is more interesting, perhaps, is the easy association between escapism, fantasy and creationÂ â€” that artists, regardless of medium, disappear into their own world in an attempt toÂ escape from the one they live in. Indeed, The Missing Slateâ€™s Maria Amir and Mariam TareenÂ ponder that very argument: how escapist is writing and why do some writers die young, caughtÂ inextricably in their own worlds? Editors Sana Hussain and Ghausia Rashid Salam pick throughÂ genre and fan fiction, trying to understand why literary snobs so abhor both genres as not beingÂ â€œauthenticâ€ enough. To put our hats in this ring might, we hope, encourage the magazineâ€™sÂ scope to expand and include science-fiction, the well-executed thriller and horror story, fromÂ more traditional and more mainstream international literary fiction, though perhaps one oughtÂ to examine when literary fiction entered the â€œmainstreamâ€. Arenâ€™t we constantly told that literaryÂ fiction as a genre is a dying one? But then, weâ€™ve also been informed of the constant deathÂ of the print publishing industry. Somehow, someone, somewhere is always claiming the death ofÂ something in literature, and yet it persists. Perhaps one should step back and realise the lastingÂ power of the written word and its evolving permutations.
If creating is to be a form of escape, let us agree that it is not reserved solely to the creator, butÂ extends to the viewer / reader / observer who ensures its dissemination. Whether digital or inÂ print, literature and art in their essentials are still portals â€” though perhaps not the escape weÂ hope they will be â€” and they tend to provide telling insights into their makers and the individualsÂ who indulge in them.
In this special issue, we invite you to the Caribbean â€” with a layout to match â€” with writingÂ from some of the Islandsâ€™ most talented writers, guest edited by John R. Lee, who also introducesÂ the feature.
It is my sincerest hope that you enjoy the journey.
~ Virginia Woolf
~ Virginia Woolf
INTRODUCTION TO THE ISSUE
Gateways: A Caribbean Sampler
John Robert Lee
Leaving Coal Mine
A Prayer for the Unflummoxed Beaver
from ‘Far District’
FICTION (Digital Edition Exclusive)
From the Book of Dreams
Robert Edison Sandiford
Phyllis Shand Allfrey: The Poet
Literary or Not: The Reality of Escapist Fiction
Writing: Escapism or Thoughtful Engagement
Deconstructing the Dream Factory
The Great Escape
Skulking Around the Dark Side of Fandom
Ghausia Rashid Salaam
Portrait of the Artist as an Old Man