Maliha Iftekhar reviews Vineetha Mokkil’s debut short story collection.
Vineetha Mokkilâ€™s â€˜A Happy Place and Other Storiesâ€™Â is a promising debut. For those of us who covet covers (guilty as charged), the first look at the slim paperback volume is more than satisfying: the front image is an attractive blur of seething traffic lights at dusk. With inverted cement high rises against a violet monsoon-drenched evening, it sets the perfect tone for the sixteen-story collection.
From a Bollywood scriptwriter to a Marxist professor, a newspaper editor to a tattoo artist, Vineetha skilfully exposes the throbbing heart of modern Delhi, weaving tales of tantalizing heartbreak, beckoning nostalgia and fractured dreams. Her imagery is evocative, with vividly sensual descriptions of locales, weather and ambience. In â€˜Nirvanaâ€™ she writes: â€œSummer smothered the city like a thick blanket. The night air was stifling; the heat writhed like a hungry creature in the wild.â€ And in â€˜Orange County Bluesâ€™, â€œI wish this place would crumble to dust and let me come back home where the mountains loom and the breeze carries the hum of monksâ€™ chants towards snow-capped peaks. In my dreams, I see the two of us walking down Dharamshalaâ€™s narrow, winding streets. The prayer flag flutters over our heads like rainbow-hued birds. The sun glides out from behind the clouds. The mist lifts.â€ Ultimately, what emerges out of the creative chrysalis/process is a rich vibrant tapestry, woven from a multitude of identities: transitory haunting snapshots of the complexity of everyday lives in a teeming metropolis.
In a style reminiscent of James Joyceâ€™s â€˜Dubliners’, some stories do not flow from a beginning to a definitive conclusion, ending quite abruptly. Though an intriguing literary device, the overall effect can be jarring at times, with the reader left bereft, seeking resolution. This is obvious in tales â€˜In Case of Fireâ€™ and â€˜The Girl Next Doorâ€™. Arguably, this frees one to imagine what could happen next. As Will Self stated, â€œA short story is a shard, a sliver, a vignette. Itâ€™s a biopsy on the human condition but it doesnâ€™t have this capacity to think autonomously for itself.â€
No matter what the outcome, the writing is sharp and eloquent, offering fleeting glimpses into the raw ache of human experience. Gyan, the protagonist of â€˜In Case of Fireâ€™, describes his growing sense of frustration withÂ his job at an Ann Arbor university: â€œThe prospect of walking into lecture halls filled with placid faces made him want to scream. He wanted his students to be less accepting of his premises. Their indifference to the provocative statements he bandied around in class felt like an insult. He was looking to sharpen his wits against the knife blade of their dissent. He was hungry for debate, for quicksilver flashes of brilliance, for questions to spark animated, electric discussion. Where were the rebels dreaming of torpedoing the system? The renegades who wanted to tear down everything so a better world could spring up from the ruins?â€
There are definite gems scattered amongst this eclectic collection. In â€˜Nirvanaâ€™ the author reaches poignant, lyrical beauty. â€œShe was the sinner, he the saint. She was ignorant; he had risen beyond desireâ€™s demands â€” transcendent, luminous. He looked truth in the eye with stoic ease. She stumbled in the dark; her life, a litany of petty concerns: her bodyâ€™s clamorous wants, her heartâ€™s song. His life was a cosmic quest. Hunger, sorrow, desire, decay â€” he was tormented by enigmas as old as life and death.â€
In a country like India, the modern world meets Asian values and flourishes in the guise of cities such as Delhi. However, strong pockets of conservatism exert a firm grip on both the people and landscape. A recent example is of a man who won a landmark seven-year court battle to prove himself as the illegitimate son of a leading politician. The indomitable influences of culture and the writ of the patriarchal system areÂ justÂ someÂ of many issues that this book alludes to. The readersâ€™ attention is drawn to both the splendour and the darkness of this cosmopolitan hub, which is mirrored in countless large cities across South Asia.
â€˜A Happy Place and Other Storiesâ€™Â can firmly plant itself amongst the unique voices defining contemporaryÂ Indo-Anglican literature â€” a thoroughly welcome addition.
Maliha Iftekhar was, before going on maternity leave, Senior Fiction Editor for the magazine.
Editor’s Note: The author’s ‘Other Lives‘ wasÂ The Missing Slate’s Story of the WeekÂ on October 26,Â 2013.